"progress is a comfortable disease"

Excerpts from Thomas Lynch’s review of the book “Swimming in a Sea of Death” by David Rieff, written in tribute to his mother Susan Sontag who died of cancer:

Swimming in a Sea of Death" is Rieff's brief record of how high priests of the body and blood sort -- whether oncologists or monsignors -- must so often disappoint. And how they disappointed his mother. In the end, neither science nor medicine, reason nor raw intellect, "avidity" for life nor her lifelong sense that hers was a special case -- nothing could undo her death. Susan Sontag "died as she had lived: unreconciled to mortality." And there is the sadness at the heart of Rieff's testimony: that mothers die, as fathers do, regardless of what they or their children believe or disbelieve. It is our humanity that makes us mortal, not our creeds or their antitheses.

All of us swim in the one sea all our lives, trying to stay afloat as best we can, clinging to such lifelines and preservers as we might draw about us: reason and science, faith and religious practice, art and music and imagination. And in the end, we all go "down, down, down" as Edna St. Vincent Millay wrote, "into the darkness," although she did not approve and was not resigned. Some lie back, float calmly and then succumb, while others flail about furiously and go under all the same. Some work quietly through Elisabeth Kübler-Ross' tidy, too hopeful stages; others "rage, rage" as Dylan Thomas told his father to. But all get to the "dying of the light." Some see death as a transition while others see it as extinction. Sontag studied in this latter school and tutored her only son in its grim lessons. What is clear from his book -- an expansion of an essay that first appeared in the New York Times Magazine a year after her 2004 death -- is that while she battled cancer, she waged war on mortality. That we get sick was acceptable to her. That we die was not. Pain, suffering, the awful losses her disease exacted, were all endurable so long as her consciousness remained animate

~

pity this busy monster, manunkind,

not. Progress is a comfortable disease:
your victim (death and life safely beyond)

plays with the bigness of his littleness
--- electrons deify one razorblade
into a mountainrange; lenses extend
unwish through curving wherewhen till unwish
returns on its unself.
A world of made
is not a world of born --- pity poor flesh

and trees, poor stars and stones, but never this
fine specimen of hypermagical

ultraomnipotence. We doctors know

a hopeless case if --- listen: there's a hell
of a good universe next door; let's go

~ e. e. cummings